Eve and Adam who do not respect the proscriptions of God, of Jesus who impresses the crowds with his super-powers transgressing the laws of physics and biology up to the texts of the Goliards, these traveling and good living clerics of the thirteenth century who write the Carmina Burana and go so far as to parody a religious service during the Feast of Fools, passing through the holy martyrs who defy the laws of the Roman emperors and by the medieval chanters themselves who improvise polyphonies on Gregorian chant by adding notes where they are not foreseen, Rue des Chantres serve you an explosive cocktail of textual and musical transgressions in the Middle Ages.